{"id":234,"count":4,"description":"The School of Fine Arts in Vi\u00f1a del Mar, Chile, is where Eugenio Britto Honorato started his studies in ceramic in 1942. He had exceptional mentors, including ceramists Benito Rom\u00e1n and Guillermo Mossella. He received the title Teacher of Art after graduating.\r\nLater, he performed as a designer and decorator in the Lota Carboniferous Company's porcelain factory. He focused on matrix design, color selection, and the use of adhesives that the firm bought to create tableware with more European styles. He also dabbled in majolica designs, such as beer mug glasses with funny faces.\r\nIn his early years, Eugenio Brito Honorato received a scholarship to study ceramics at the Richard Ginori State School in Sesto Florentino, Florence, Italy. Following his return from his scholarship in Italy and France, he and other Chilean artists met with \u2018loceras\u2019 (artist who works with porcelain) from Quinchamali, Rere, and Camp\u00f3n. These gatherings were part of the group's research to learn \u2018on site\u2019 vernacular ceramic techniques, the results of which were included in presentations and discussions regarding various pigments and firings for finishing glazes. These topics were presented at ceramic congresses held in Santiago by the University of Chile.\r\nCeramics will be present throughout his life, with more development occurring at certain times. Some of the most notable are his stints are at the Lota Coal Company and his time in Huachipato, where he was a founding member of \u2018the Artistas del Acero Cultural Corporation\u2019, he taught ceramic and created the \u2018Nativity\u2019 in clay, which consists of ten components. All of these pieces were fired in the Huachipato Steel Company's blast kiln. The fourteen ceramic elements of The Stations of the Cross for La Asunci\u00f3n Parish in Talcahuano and the piece created for the Segura Luke Family\u2019s Mausoleum in the Concepci\u00f3n Cemetery were fired in the same kilns. In addition to these works, he set up and managed the \u2018La Cascada\u2019 pottery studio, which is in the Ecuador Park at the foot of Cerro Caracol.\r\nIn the 1970s, he created busts and heads of his daughter Paula and son Eugenio Alonso at the Academy of Fine Arts in Vi\u00f1a del Mar.","link":"https:\/\/www.eugeniobrito.cl\/en\/archivos\/ceramic\/","name":"Ceramic","slug":"ceramic","taxonomy":"archivos","parent":0,"meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.eugeniobrito.cl\/en\/wp-json\/wp\/v2\/archivos\/234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eugeniobrito.cl\/en\/wp-json\/wp\/v2\/archivos"}],"about":[{"href":"https:\/\/www.eugeniobrito.cl\/en\/wp-json\/wp\/v2\/taxonomies\/archivos"}],"wp:post_type":[{"href":"https:\/\/www.eugeniobrito.cl\/en\/wp-json\/wp\/v2\/obras?archivos=234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}